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Presumably, they're discussing a scene, not staring each other down. Samuel Beckett (left), Alan Schneider (in baseball cap) and Buster Keaton (right) on the set of Film. Under the sink, Lipman found reels of outtakes and a prologue that was eventually rejected. His research on the Beckett-Keaton project led him to the apartment of the man who funded Film. Art shouldn't be about art it should be about life, and speak to life - or so I told myself, as if they were somehow distinguishable."Īs an archivist, Lipman worked on a bunch of restoration projects, from silent films to the movies of John Sayles and John Cassavetes. In the beginning of Notfilm, Lipman says, "I've never quite trusted films about film.
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"I love storytelling," he says, "and I love all the historical figures involved and I love pursuing these strange little nooks and crannies of cultural history."įilm is certainly one of those crannies, but making a movie about the making of a movie posed a problem. Lipman was fascinated by the Beckett-Keaton collaboration. They were there to make a movie together, and now a new movie tells the story of their unlikely collaboration.īeckett and Keaton's project was called Film, and the new account of that project - created by former UCLA archivist Ross Lipman - is called Notfilm. One of them was Buster Keaton, a silent film master of physical comedy, and the other was Samuel Beckett, a master of cerebral literature.
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In 1964, two guys walked into a movie studio. Buster Keaton stars in Film, Samuel Beckett's only foray onto the big screen.